TuneTot is but one element within an ecosystem populated with custom, a la carte tools and accessories (purchased separately) designed to maximize TuneTot’s cosmetic beauty and musical performance in a wide variety of applications. Not content with designing a simple “bookshelf” loudspeaker, Wilson’s Special Applications Engineering team has, once again, redefined what is possible for these acoustically hostile installations.
TuneTot is the latest product from the Wilson Special Applications Engineering™ (WSAE) team. While its name pays homage to the first WSAE product, it is a modern technical tour de force designed to offer the timbral beauty, dynamic nuance, soundstage resolution, and transparency—all the hallmarks of Wilson loudspeakers design culture—but do so in environments which are hostile to all of those qualities.
Wilson’s Special Applications Engineering division introduces the latest member of the TuneTot Ecosystem—The TuneTot Stand. The design team engineered it from the ground up to seamlessly augment TuneTot’s beautiful lines. The primary design objectives were extraordinary stability and ultra-low resonance, and a platform that facilitated the proper alignment of the baffle for the time domain.
WSAE engineers readily detect even the tiniest enclosure vibrations—at the level of billionths of a meter, which, in turn, reveals the ideal combination and geometry of the composites for the cabinet. TuneTot is constructed from two Wilson proprietary composites—the proven combination of Wilson’s X- and S-material.
Its cabinet and driver technology are derived directly from Alexx and Sabrina.
Color expressed through the stunning palette of Wilson’s state-of-the-art WilsonGloss® paint process has long been a source of pride and personal expression among Wilson owners. Wilson has added five new colors created specifically for TuneTot. Quartz and Ivory are vivid new plays on Wilson’s popular Desert Silver and Biarritz White, respectively. Teak, with its neutral warm tones, works well in those environments where wood is the dominant theme. Carbon is a modern take on traditional black, with a rich, smoky metallic hue. Crimson features an all-new satin metallic finish that beautifully reflects light off of TuneTots subtle design lines and enclosure transitions.
In addition to black and clear, Wilson has added two new anodized-color finish options for TuneTot’s metal hardware. Red was designed to closely match Wilson’s new Crimson paint as either a compliment to that color, or as a contrasting color to the other TuneTot WilsonGloss paints. Steel Gray, with just a touch of blue, is a neutral mid-gray that sits comfortably between clear and black anodize, and compliments any of the new paint colors.
Lastly, Wilson offers five grille-color choices for TuneTot—Black, Le Mans Blue, Mocha, Parchment, and Slat Gray—which together with the paint and hardware options offers the TuneTot owner the ability to personalize the loudspeaker to fit specific tastes and environments.
